The history of batik in Indonesia is closely linked with the development of the Majapahit Empire and the spread of Islam in the Land of Java. In some records, the development of batik is mostly done in times of Mataram kingdom, then in the work of Solo and Yogyakarta. So the art of batik in Indonesia has been known since the days of work and continues to evolve to the Majapahit kingdom and the kings of the next. As for starting the spread of this batik art belongs to the people of Indonesia and Java in particular tribe is after the end of the eighteenth century or early nineteenth century. Produced batik batik is all up to the early twentieth century and printed batik is known only after the world war unity out or around the year 1920. The connection with the spread of Islam. Many areas in the central Javanese batik are areas Batik students and later became a tool of economic perjaungan by figures Muslim merchants against the Dutch economy.
Batik art is art image on the cloth for clothing that was one culture keluaga Indonesia kings of old. Initially batik is done only limited in the palace alone and proceeds to dress the king and his family and his followers. Because many of the followers of the king who lived outside the palace, the art of batik was brought by the palace and carried them out in place of each. Old-old art of batik was imitated by the people nearest and further extends the work of women in the household to fill leisure time. Furthermore, batik clothes that used only the royal family then became a popular folk clothing, both women and men. White fabric that is used when it is the result of homespun.
Coloring materials are being used consist of native plants Indonesia made itself among others of: noni tree, tall, soga, indigo, and the material made from soda ash soda, and salt made from tanahlumpur.
Batik Majapahit era which has become a culture in the kingdom Majahit, could be traced in the area and Tulung Mojokerto Court. Mojoketo is an area closely associated with the Majapahit kingdom during the first and the origin of the name Majokerto nothing to do with Majapahit. Relation to the development of batik from developing in Tulung Majapahit Agung is a history of batik developments in this area, can be extracted from the relics at the time of the Majapahit kingdom. At that time Tulungagung areas which partly made up of the marshes in the history of the area known as Bonorowo, which at the time of the Majapahit bekembangnya area ruled by a Duke benama Kalang, and unwilling to submit to the kingdom of Majapahit.
Told that the police action launched by Majapahati, Duke Kalang supposedly killed in the fighting around the village which is now reportedly named Kalangbret. Thus the army officers and keluara Majapahit kingdom who settled and lived in the region which is now named Bonorowo or Tulungagung, among others, also carry original art of making batik.
Batik Majapahit era which has become a culture in the kingdom Majahit, could be traced in the area and Tulung Mojokerto Court. Mojoketo is an area closely associated with the Majapahit kingdom during the first and the origin of the name Majokerto nothing to do with Majapahit. Relation to the development of batik from developing in Tulung Majapahit Agung is a history of batik developments in this area, can be extracted from the relics at the time of the Majapahit kingdom. At that time Tulungagung areas which partly made up of the marshes in the history of the area known as Bonorowo, which at the time of the Majapahit bekembangnya area ruled by a Duke benama Kalang, and unwilling to submit to the kingdom of Majapahit.
Told that the police action launched by Majapahati, Duke Kalang supposedly killed in the fighting around the village which is now reportedly named Kalangbret. Thus the army officers and keluara Majapahit kingdom who settled and lived in the region which is now named Bonorowo or Tulungagung, among others, also carry original art of making batik.
Areas of batik is now in Mojokerto contained in Kwali, Kirkcaldy, Betero and Sidomulyo. Outside the District is in Jombang Mojokerto. In the late nineteenth century there are some people who are known batik in Mojokerto, the materials used at that time a white cloth woven by himself and the drugs of soga jambal batik, noni, indigo tom, height and so on.Drugs known abroad the new postwar world unity being sold by Chinese traders in Mojokerto. Printed batik is known along with the influx of drugs from abroad batik. Cap made in Bangil and batik entrepreneurs can afford market Mojokerto Porong Sidoarjo, Porong market before the economic crisis the world is known as a bustling market, where the results of batik production and Jetis Kedungcangkring Sidoarjo widely sold. Time of economic crisis, batik entrepreneurs participate Mojoketo paralyzed, because most of the entrepreneurs of small business.
After the crisis arising out of activities batik back to Japan to Indonesia, and the Japanese occupation batik activities paralyzed again. Batik activities appear again after the revolution which has become a regional occupation Mojokerto.
Characteristic of batik Kalangbret of Mojokerto is almost equal to the output-batik batik of Yogyakarta, which is basically white and color coraknya brown and dark blue. Known since more than a century ago where batik village Majan and Simo. This village also has a history as a relic from the era of warfare Diponegoro 1825.
Although batik is known since ancient Majapahait but the development of batik began to spread rapidly from Surakarta, Central Java area and Yogyakata, in the era of the kingdom in this area. It appears that the development of batik in Mojokerto and subsequent Supreme Tulung more style batik of Solo and Yogyakarta.
In the wake of clash between the Dutch colonial army with troops of Prince Diponegoro then most of the troops Kyai Mojo resigned towards the east and up to now called Majan. Ever since Dutch colonial times until the time of independence this village status villagers Majan Merdikan (Special Region), and the village head of a priest whose status Uirun-temurun.Pembuatan Majan batik is an instinct (relic) of the art of making batik wartime Diponegoro.
Characteristic of batik Kalangbret of Mojokerto is almost equal to the output-batik batik of Yogyakarta, which is basically white and color coraknya brown and dark blue. Known since more than a century ago where batik village Majan and Simo. This village also has a history as a relic from the era of warfare Diponegoro 1825.
Although batik is known since ancient Majapahait but the development of batik began to spread rapidly from Surakarta, Central Java area and Yogyakata, in the era of the kingdom in this area. It appears that the development of batik in Mojokerto and subsequent Supreme Tulung more style batik of Solo and Yogyakarta.
In the wake of clash between the Dutch colonial army with troops of Prince Diponegoro then most of the troops Kyai Mojo resigned towards the east and up to now called Majan. Ever since Dutch colonial times until the time of independence this village status villagers Majan Merdikan (Special Region), and the village head of a priest whose status Uirun-temurun.Pembuatan Majan batik is an instinct (relic) of the art of making batik wartime Diponegoro.
Majan Babaran color batik and Simo is unique because of the color red babarannya (from skin Noni) and other colors of the tom. As batik Setra since time immemorial the village area is also famous Sembung, the batik entrepreneurs mostly from Tulungagung Sala came in the late nineteenth century. Only now there are still some families who settled batik from Sala Sembung area. Apart from places proficiency level there are also areas of batik in Psychology and also a couple in Kediri, but the nature of most batik handicrafts and batik babarannya.
The spread of the Islamic era history of batik in other areas of East Java is in Ponorogo, whose story is related to the spread of Islam in this area. History of Batik. Mentioned problem areas Ponorogo batik art is closely connected with the development of Islamic religion and the kingdoms first. That said, in Batoro Katong area, there is a descendant of the Majapahit empire whose name is the younger brother of Prince Raden Patah Katong. Batoro Katong is what brought Islam to the Ponorogo and petilasan that there now is a mosque in the area Patihan Wetan.
Selanjutanya developments, in Ponorogo, in the area there is a boarding school Tegalsari Kyai Hasan Basri who cared or known as the Great Kyai Tegalsari. This Tegalsari pesantren teach religion other than Islam also teaches administrative sciences, sciences and literature of war. A pupil of the famous field of literature is Tegalsari Ronggowarsito Raden. Kyai Hasan Basri was taken into the king's daughter by Kraton Solo.
The spread of the Islamic era history of batik in other areas of East Java is in Ponorogo, whose story is related to the spread of Islam in this area. History of Batik. Mentioned problem areas Ponorogo batik art is closely connected with the development of Islamic religion and the kingdoms first. That said, in Batoro Katong area, there is a descendant of the Majapahit empire whose name is the younger brother of Prince Raden Patah Katong. Batoro Katong is what brought Islam to the Ponorogo and petilasan that there now is a mosque in the area Patihan Wetan.
Selanjutanya developments, in Ponorogo, in the area there is a boarding school Tegalsari Kyai Hasan Basri who cared or known as the Great Kyai Tegalsari. This Tegalsari pesantren teach religion other than Islam also teaches administrative sciences, sciences and literature of war. A pupil of the famous field of literature is Tegalsari Ronggowarsito Raden. Kyai Hasan Basri was taken into the king's daughter by Kraton Solo.
Batik art at that time confined within the palace. Therefore Solo princess palace became the wife Kyai Hasan Basri then brought into Tegalsari and followed by escort-escorts. besides that many Solo royal family dipesantren this study. The events that brought the art bafik out of the palace toward the Ponorogo. Young people who are educated in this Tegalsari when it came out, the community will donate dharma batik in fields kepamongan and religion.
Long batik areas that we can see now is the area that is Kepatihan Wetan Kauman now and from here spread to the villages Ronowijoyo, Mangunsuman, Kertosari, Setono, Cokromenggalan, Duchy, Nologaten, Bangunsari, Cekok, Banyudono and Ngunut. At that time, the drugs used in batik is made in the country itself from various woods, among others: tree tom, noni, high wood. While homemade kainputihnyajugamemakai materials from woven carrying. Bam white cloth known in Indonesia import about the end of the 19th century.
Long batik areas that we can see now is the area that is Kepatihan Wetan Kauman now and from here spread to the villages Ronowijoyo, Mangunsuman, Kertosari, Setono, Cokromenggalan, Duchy, Nologaten, Bangunsari, Cekok, Banyudono and Ngunut. At that time, the drugs used in batik is made in the country itself from various woods, among others: tree tom, noni, high wood. While homemade kainputihnyajugamemakai materials from woven carrying. Bam white cloth known in Indonesia import about the end of the 19th century.
Batik-making in the new Ponorogo known after the first world war brought on by a Chinaman named Kwee Seng from Banyumas. Ponorogo area beginning of the 20th century in the famous batik indigo coloring that does not fade and that's why entrepreneurs Solo batik from Banyumas and give employment to many entrepreneurs in Ponorogo batik. Due to the production of batik known Ponorogo after World War First Instance until the outbreak of the second world war is famous for his rough batik batik blue mori. Market batik rough Ponorogo then famous throughout Indonesia. Solo and Yogyakarta Batik From the work-in Solo and Yogyakarta royal environs 17.18 and 19th centuries, batik and widespread, especially in the area of Java Island. Batik was originally just a hobby of the royal family on the passing ornate clothing. But subsequent developments, batik community pleh perdagamgan developed into a commodity.
Batik Solo is famous for its style and its traditional batik patterns in the process as well as in batik stamp he wrote. The materials used for staining still remains a lot of use of domestic materials such as Java Soga already known since the first. The pattern remains among other famous "Sidomukti" and "Sidoluruh".
Batik Solo is famous for its style and its traditional batik patterns in the process as well as in batik stamp he wrote. The materials used for staining still remains a lot of use of domestic materials such as Java Soga already known since the first. The pattern remains among other famous "Sidomukti" and "Sidoluruh".
While the origins of batik in the area since the kingdom of Mataram Yogyakarta is known to any-I with a Panembahan Senopati The first area is the village Plered batik. Batik at the time confined within the royal family is done by the women helpers queen. From here batik extends to the first trap on the other the wife of the royal family of courtiers and soldiers. At the official ceremony the royal family empire both men and women wear clothes with batik kombonasi and striated. Therefore, this kingdom received a visit from the people and the people attracted to the clothes worn by the royal family and imitated by the people and finally spread out batik out of the palace walls.
As a result of the war both ancient time between the family and among the kings of the Dutch colonial past, many families are displaced and the king settled in these areas among others new to the Banyumas, Pekalongan, and the stricken area Ponorogo East, Tulungagung and so on. Populer a local batik-stricken area to area according to the historical development of Indonesian struggle began the 18th century.
As a result of the war both ancient time between the family and among the kings of the Dutch colonial past, many families are displaced and the king settled in these areas among others new to the Banyumas, Pekalongan, and the stricken area Ponorogo East, Tulungagung and so on. Populer a local batik-stricken area to area according to the historical development of Indonesian struggle began the 18th century.
Families who fled the palace is that developed all over the island of Java batik existing and evolving according to the nature and the new area.
Diponegoro war against the Dutch, urged the prince and his family and his followers had to leave the kingdom. They then spread toward the East and West. Then in the new areas that the family and followers of Prince Diponegoro develop batik.
To the East of Solo and Yogyakarta Batik batik patterns that have been perfected in Mojokerto and Tulung Court. It also spread to Gresik, Surabaya and Madura. Moderate westward batik developed in Banyumas, Pekalongan, Tegal, Cirebon.
Batik developments in other cities in the development of batik Banyumas Sokaraja centered in the area taken by the followers of Prince Diponegero after selesa-Inya war in 1830, they were mostly menet-AP Banyumas area. Followers of the famous time was Najendra and he developed a batik dyed in Sokaraja. Materials used mori homespun results and color additives used drugs tom trees, trees and Noni pace that gives the red color of yellow artificiality.
Diponegoro war against the Dutch, urged the prince and his family and his followers had to leave the kingdom. They then spread toward the East and West. Then in the new areas that the family and followers of Prince Diponegoro develop batik.
To the East of Solo and Yogyakarta Batik batik patterns that have been perfected in Mojokerto and Tulung Court. It also spread to Gresik, Surabaya and Madura. Moderate westward batik developed in Banyumas, Pekalongan, Tegal, Cirebon.
Batik developments in other cities in the development of batik Banyumas Sokaraja centered in the area taken by the followers of Prince Diponegero after selesa-Inya war in 1830, they were mostly menet-AP Banyumas area. Followers of the famous time was Najendra and he developed a batik dyed in Sokaraja. Materials used mori homespun results and color additives used drugs tom trees, trees and Noni pace that gives the red color of yellow artificiality.
Eventually the people spreading Sokaraja batik and in the late nineteenth century in direct contact with areas Solo batik and Ponorogo. Areas of batik in Banyumas has been known since before the motifs and colors in particular and is now called batik Banyumas. After the world war started batik unity also done by the Chinese in addition to their trade batik material.
Similarly, the batik in Pekalongan. The followers of Prince Diponegoro who settled in this area then develop sekitara batik business in this coastal region, namely in areas other than their own Pekalongan, batik grew rapidly in Buawaran, Pekajangan and Wonopringgo. The existence of batik in these areas almost simultaneously with other areas of batik which is about the nineteenth century. Developments in areas outside of batik from Yogyakarta and Solo apart closely related to the historical development of the kingdom of Yogyakarta and Solo.
Widespread batik out of the palace after the end of the war Diponegoro and the number of the royal family who had moved out stricken areas of Yogyakarta and Solo for refusing kejasama with the colonial government. The royal family took his followers stricken area on the ground that new and batik continued and later became a job for a living. Batik patterns in this new area as well adapted to the circumstances surrounding area. Pekalongan especially viewed from the process and designya much influenced by the batik of Demak. Until the early twentieth century batik process is known batik morinya with materials made in the country and also some import. After the war new world of unity known batik fabrication and use of drugs abroad made in Germany and the UK.
Similarly, the batik in Pekalongan. The followers of Prince Diponegoro who settled in this area then develop sekitara batik business in this coastal region, namely in areas other than their own Pekalongan, batik grew rapidly in Buawaran, Pekajangan and Wonopringgo. The existence of batik in these areas almost simultaneously with other areas of batik which is about the nineteenth century. Developments in areas outside of batik from Yogyakarta and Solo apart closely related to the historical development of the kingdom of Yogyakarta and Solo.
Widespread batik out of the palace after the end of the war Diponegoro and the number of the royal family who had moved out stricken areas of Yogyakarta and Solo for refusing kejasama with the colonial government. The royal family took his followers stricken area on the ground that new and batik continued and later became a job for a living. Batik patterns in this new area as well adapted to the circumstances surrounding area. Pekalongan especially viewed from the process and designya much influenced by the batik of Demak. Until the early twentieth century batik process is known batik morinya with materials made in the country and also some import. After the war new world of unity known batik fabrication and use of drugs abroad made in Germany and the UK.
At the beginning of the 20th century first recognized in Pekajangan is weaving that produces its own spun yarn Stagen and simple. In recent years new known batik is done by people who work this weaving sector. Growth and development of batik is more rapid than ever weaving Stagen and sugar mill workers in Wonopringgo and Tirto ran into batik firms, because wages are higher than the sugar factory.
Tegal batik being known in late nineteenth century and that the time used homemade derived from plants: PACE / noni, indigo, Soga wood and homespun fabric. Tegal batik colors the first time is Sogan and Babaran gray after known indigo plant, and then increased to a red-blue color. Tegal batik market it was already out of the region such as West Java taken by entrepreneurs in their walk and this is according to the history of the development of batik in Tasik and Ciamis in addition to other immigrants from the cities of Central Javanese batik.
Tegal batik being known in late nineteenth century and that the time used homemade derived from plants: PACE / noni, indigo, Soga wood and homespun fabric. Tegal batik colors the first time is Sogan and Babaran gray after known indigo plant, and then increased to a red-blue color. Tegal batik market it was already out of the region such as West Java taken by entrepreneurs in their walk and this is according to the history of the development of batik in Tasik and Ciamis in addition to other immigrants from the cities of Central Javanese batik.
In the early twentieth century was known mori import and import of new drugs known as post-war world unity. Batik entrepreneurs in Tegal mostly weak in capital and raw materials derived from Pekalongan and with credit and batik sold in China which provides credit such raw materials. Time of economic crisis Tegal batik batik-come sluggish and enterprising new back around 1934 to the beginning of the second world war. When Japan entered batik activities die again.
Pila thus the history of batik in Purworejo along with batik in Kebumen is derived from Yogyakarta around the XI century. Batik developments in Purworejo than in Kebumen faster in Kebumen. Production as well as Yogyakarta and other Banyumas.
While in the Bayat area, Sub-Klaten Tembayat Kebumen located approximately 21 km east of the town of Klaten. Bayat area is the village located at the foot of the mountain but the land barren and minuses.
Pila thus the history of batik in Purworejo along with batik in Kebumen is derived from Yogyakarta around the XI century. Batik developments in Purworejo than in Kebumen faster in Kebumen. Production as well as Yogyakarta and other Banyumas.
While in the Bayat area, Sub-Klaten Tembayat Kebumen located approximately 21 km east of the town of Klaten. Bayat area is the village located at the foot of the mountain but the land barren and minuses.
These areas include the environment and Klaten Surakarta and the history of batik here is certainly closely related to the history of the former royal palace of Surakarta. Bayat Village is now pertilasan which can be visited by people in certain times of the "tomb of Sunan Bayat" on the mountain Jabarkat. So Bayat batik village has existed since the time of first job. Batik entrepreneurs in Bayat had most of the handicrafts and batik workers in Solo.
While batik in Kebumen is known about the early nineteenth century brought by immigrants from Yogya in the framework of Islamic preaching, among others, are known are: PenghuluNusjaf. He is a developing batik in Kebumen and place was first settled east Lukolo time now and there are also relics of the mosque for his efforts. The first batik process in Kebumen called teng-brother or Blambangan and subsequently the final process is done in Banyumas / Solo. Around the early twentieth century to create a pattern that is used turmeric capnya made of wood. Kebumen motifs: trees, birds. Other materials used are trees pace, and indigo kemudu tom.
While batik in Kebumen is known about the early nineteenth century brought by immigrants from Yogya in the framework of Islamic preaching, among others, are known are: PenghuluNusjaf. He is a developing batik in Kebumen and place was first settled east Lukolo time now and there are also relics of the mosque for his efforts. The first batik process in Kebumen called teng-brother or Blambangan and subsequently the final process is done in Banyumas / Solo. Around the early twentieth century to create a pattern that is used turmeric capnya made of wood. Kebumen motifs: trees, birds. Other materials used are trees pace, and indigo kemudu tom.
Use of drugs imported in Kebumen known around the year 1920 which was introduced by the employees of Bank Rakyat Indonesia, which finally left the homemade ingredients, as it saves time. Use the stamp of copper is known around the year 1930 brought by Purnomo of Yogyakarta. Area is thevillage of batik in Kebumen: Watugarut, Tanurekso a lot and there are several other villages.
Seen with the relics are now, and the stories of previous generations, then the estimated area known since ancient batik Tasikmalaya "Tarumanagara" where the relics of the present is the number of trees there that are useful Tarum obtained un-tuk batik time . Heritage village that still exists is the crude batik: batik Wurug famous for its handicraft, Sukapura, Mangunraja, Maronjaya and Tasikmalaya city.
Formerly the center of government and the crowd is famous Sukapura village, which lies just off the town Indihiang Tasikmalaya now. Approximately late seventeenth century and early eighteenth century as a result of the war between the kingdom in Central Java, many of the people in that area: Tegal, Pekalongan, Ba-nyumas and Holy stricken area who migrate west and settled in Ciamis and Tasikmalaya. Most of them are local batik entrepreneurs and headed towards the West while trade batik. With the arrival of these new residents, both wearing pembutan next dikenallah Soga who came from Central Java. Tasikmalaya batik production now is a mixture of batik batik-Pekalongan, Tegal,Banyumas, Ghost of various patterns and colors.
Ciamis batik known in the nineteenth century after the completion of Diponegoro war, where followers of Diponegoro many who left Yogyakarta, head south. Some have a settled area and partly Banyumas there proceeded to the south and settled in Ciamis and Tasikmalaya now.
Seen with the relics are now, and the stories of previous generations, then the estimated area known since ancient batik Tasikmalaya "Tarumanagara" where the relics of the present is the number of trees there that are useful Tarum obtained un-tuk batik time . Heritage village that still exists is the crude batik: batik Wurug famous for its handicraft, Sukapura, Mangunraja, Maronjaya and Tasikmalaya city.
Formerly the center of government and the crowd is famous Sukapura village, which lies just off the town Indihiang Tasikmalaya now. Approximately late seventeenth century and early eighteenth century as a result of the war between the kingdom in Central Java, many of the people in that area: Tegal, Pekalongan, Ba-nyumas and Holy stricken area who migrate west and settled in Ciamis and Tasikmalaya. Most of them are local batik entrepreneurs and headed towards the West while trade batik. With the arrival of these new residents, both wearing pembutan next dikenallah Soga who came from Central Java. Tasikmalaya batik production now is a mixture of batik batik-Pekalongan, Tegal,Banyumas, Ghost of various patterns and colors.
Ciamis batik known in the nineteenth century after the completion of Diponegoro war, where followers of Diponegoro many who left Yogyakarta, head south. Some have a settled area and partly Banyumas there proceeded to the south and settled in Ciamis and Tasikmalaya now.
They are gone down with keluargany a new place and settle into the population and continue to live and work procedures. Some of them are skilled in the craft of batik as domestic work for women. Eventually, this work could develop in the surrounding residents due to daily life or family relationships. The materials used for weaving your own fabric and paint materials made from trees such as noni, tom tree, and so on. Batik motif Ciamis result is a blend of Central Javanese batik and its own regional influence, especially motifs and colors scraping. Until the early twentieth century batik in Ciamis growing little by little, of their own needs into market production. Being in the area there kaintannya Cirebon batik withaerah kingdoms, namely Kanoman, Kasepuahn and Keprabonan. The main source of batik Cirebon, the case is the same as those in Yogyakarta and Solo. Batik appears the palace, and carried out by the courtiers who reside outside the palace. Ancient kings delighted with the paintings and cotton yarn before known, the painting was placed on palm leaves. It happened around the XIII century. It has something to do with batik motifs on the fabric. Characteristic of most of batik
Cirebonan motivated symbol pictures of forests and wildlife. While the motive of the sea due to natural dipengaruhioleh Chinese thought, in which the empire had once editing Cirebon Chinese princess. Sementra Cirebonan batik depicting eagles as influenced by Yogya and Solo batik motifs.
